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And for an (virtually) frame-by-frame remake, the scenes really feel stretched and Jawahar doesn’t fairly seize the playful tone of the unique. The authentic did have its weaker moments - just like the underdeveloped characters within the hero’s and the heroine’s households - and it’s no totally different right here. But Walter, who lacks the attraction of the latter, performs the position in a po-faced method, whereas Nivin carried out with a twinkle in his eye. As for Walter Phillips, he’s satisfactory in a job that made Nivin Pauly a heartthrob in Kerala. The different actors, from seniors like Nasser and Thalaivasal Vijay, to the bunch of youthful actors who play the characters serving to the hero in his romance, are stable. Jawahar even retains just a few actors from the unique like Manoj Okay Jayan (as a police inspector who helps out Vinodh after listening to his love story) and Vanitha Krishnachandran (as Vinodh’s mom), and naturally, the feminine lead Isha Talwar, whose chief job right here is to make Ayesha look ethereal sufficient to make us imagine man would immediately be besotted with this lady. Given that it’s fairly devoted remake, and the adjustments that Jawahar does are purely beauty (and negligible), all of it relied on the solid to make Meendum Oru Kadhal Kadhai work, and so they ship.
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But even when she does love him, will her orthodox household, headed by her authoritarian uncle Abdul Khader (Nasser), a politician, comply with the match? And thus begins his dogged pursuit of the lady. That encounter leads to a fall - actually for the lady, and of the head-over-heels sort for Vinodh. And his want comes true when he stumbles into Ayesha (Isha Talwar). The story revolves round Vinodh (Walter Philips), a happy-go-lucky teen, whose watching of Mani Ratnam’s Bombay at an impressionistic age leads to a fetish (of kinds) for the purdah.
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In that sense, it’s on even floor with Bangalore Naatkal, one other remake of a Malayalam movie that’s widespread amongst kids within the state. And that’s the case with Meendum Oru Kadhal Kadhai, a remake the Malayalam hit Thattathin Marayathu, which is a reasonably competent movie so far as remakes go. ‘If it ain’t broke, don’t repair it,’ appears to be the mantra of his filmmaking (although, who is aware of, he may shock us all with a Thani Oruvan someday), and that has helped him to this point. Review: Now that Mohan Raja has proved that he can do authentic movies, Mithran Jawahar has turn into the go-to man for remaking a movie. Synopsis: A Hindu boy falls in love with a Muslim lady.